Documentary PoeticsToggle Filters

Probing the strengths and limits of a poetics of fact
(sampled from Dee Morris)

steelkiltrose:

My beard requirements prob started w/this guy.( nt really, bt hysterical 2 say+ yes im biased as hell….So?!:)) ive started the tag #soundexploreroftheday feel free 2 add 2 it. Still missing a lot of folks i plan 2 memorialize pictorally on #corporate funded time suck social media #crack app:) #music #art #love #life #liveoutloud

steelkiltrose:

My beard requirements prob started w/this guy.( nt really, bt hysterical 2 say+ yes im biased as hell….So?!:)) ive started the tag #soundexploreroftheday feel free 2 add 2 it. Still missing a lot of folks i plan 2 memorialize pictorally on #corporate funded time suck social media #crack app:) #music #art #love #life #liveoutloud


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5.21.2013 |
1
larrydigital:

Eazy-E and Dr. Dre make their debut in Ed Piskor’s latest Hip Hop Family Tree (via Boing Boing)
Read the whole series!
Pre-order the book!

larrydigital:

Eazy-E and Dr. Dre make their debut in Ed Piskor’s latest Hip Hop Family Tree (via Boing Boing)

Read the whole series!

Pre-order the book!

(via fantagraphics)


Hi-Res Photo

5.21.2013 |
23
fantagraphics:

mkupperman:

The librarian in the tuna casserole.

A Kupperman klassik.

fantagraphics:

mkupperman:

The librarian in the tuna casserole.

A Kupperman klassik.


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5.21.2013 |
254

gingerlandcomics:

Here’s the abandoned original opening to my story Hawaii 1997The first draft had this wordy first-person narration and the pencils were less confident; also it seems to be set in 1998 (?). I eventually drew a new intro that suited the tone of the rest of the comic. Still fond of that first page. 

(Source: gingerlandcomics)

5.16.2013 |
138
soulbrotherv2:

Romare Bearden. Roots Odyssey.
Screen print, 1976. 28 3/4 x 22 7/8.
Ben and Beatrice Goldstein Foundation Collection, 
Prints and Photographs Division.
Reproduction Number: LC-USZC4-6169.(1-10)
© Romare Bearden Foundation / Licensed by VAGA, New York, NY.

soulbrotherv2:

Romare Bearden. Roots Odyssey.

Screen print, 1976. 28 3/4 x 22 7/8.

Ben and Beatrice Goldstein Foundation Collection, 

Prints and Photographs Division.

Reproduction Number: LC-USZC4-6169.(1-10)

© Romare Bearden Foundation / Licensed by VAGA, New York, NY.

(via rbb85)


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5.16.2013 |
40
afrodiaspores:

“Voodoo queen Lala and her husband Louie in New Orleans Louisiana in the 1930s,” photographer and exact date unknown

Al Rose, in Storyville, writes that “an association of [the red light district] Storyville madams, which met regularly, agreed to refuse to use the services of Lala and other [Voodoo] practitioners on each other.” The favorite queen of the madams was Eulalie Echo. They were always requesting her services for cures and hexes. Her real name was Laura Hunter, and she raised Jelly Roll Morton. She was his godmother…
In the late 1970s Irma Thomas, the New Orleans singer, would record a tune called “Princess Lala”—based on Lala, a famous Voodoo queen in the New Orleans of the 1930s and 1940s—with by all accounts a fairly accurate Voodoo practice  described in the lyric. 

Robert Tallant wrote in 1946,

If there is a living successor to [Marie Laveau’s] Voodoo throne it is probably Lala…“I’ve had plenty trouble,” Lala admitted. “I been pulled in lots of times, but they can’t do me nothin’. One time I told a judge to give me his ring and I’d make it walk. When he seen his ring walkin’ away he said, ‘You is sure a smart woman.’ Then he let me go. You see, I been studyin’ all my life…”

afrodiaspores:

Voodoo queen Lala and her husband Louie in New Orleans Louisiana in the 1930s,” photographer and exact date unknown

Al Rose, in Storyville, writes that “an association of [the red light district] Storyville madams, which met regularly, agreed to refuse to use the services of Lala and other [Voodoo] practitioners on each other.” The favorite queen of the madams was Eulalie Echo. They were always requesting her services for cures and hexes. Her real name was Laura Hunter, and she raised Jelly Roll Morton. She was his godmother…

In the late 1970s Irma Thomas, the New Orleans singer, would record a tune called “Princess Lala”—based on Lala, a famous Voodoo queen in the New Orleans of the 1930s and 1940s—with by all accounts a fairly accurate Voodoo practice described in the lyric.

Robert Tallant wrote in 1946,

If there is a living successor to [Marie Laveau’s] Voodoo throne it is probably Lala…“I’ve had plenty trouble,” Lala admitted. “I been pulled in lots of times, but they can’t do me nothin’. One time I told a judge to give me his ring and I’d make it walk. When he seen his ring walkin’ away he said, ‘You is sure a smart woman.’ Then he let me go. You see, I been studyin’ all my life…”

(via educationforliberation)


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5.15.2013 |
174
afrovisionary:

culture/literature : saki mafundikwawork : african writing and it`s sybmolic natureAlready posted, this def deserves another posting to make a stronger point. More proof of what is not taught. We have symbols in our dreadlocks!!!Image: An early version of Shü-mom script, created by King Njoya of the Bamum Kingdom to preserve the culture of his people during Cameroon’s colonisation in the late 19th century.

afrovisionary:

culture/literature : saki mafundikwa
work : african writing and it`s sybmolic nature

Already posted, this def deserves another posting to make a stronger point. More proof of what is not taught. We have symbols in our dreadlocks!!!

Image: An early version of Shü-mom script, created by King Njoya of the Bamum Kingdom to preserve the culture of his people during Cameroon’s colonisation in the late 19th century.

(via afrofuturistaffair)


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5.15.2013 |
24

crudamoral:

absolutely exquisite photographs of james baldwin in turkey taken from yes magazine’s spread. inspiring, indeed. what spirited and brilliant soul wants to be my travel buddy and muse? let’s live.

(via allthingsjamesbaldwin)

5.15.2013 |
1273