Probing the strengths and limits of a poetics of fact
(sampled from Dee Morris)
My beard requirements prob started w/this guy.( nt really, bt hysterical 2 say+ yes im biased as hell….So?!:)) ive started the tag #soundexploreroftheday feel free 2 add 2 it. Still missing a lot of folks i plan 2 memorialize pictorally on #corporate funded time suck social media #crack app:) #music #art #love #life #liveoutloud
Digital uploads of W.E.B. Du Bois's The Crisis - all issues
When W. E. B. Du Bois founded The Crisis in 1910, as the house magazine of the fledgling NAACP, he created what is arguably the most widely read and influential periodical about race and social injustice in U.S. history. Written for educated African-American readers, the magazine reached a truly national audience within nine years, when its circulation peaked at about 100,000. The Crisis’s stated mission, like that of the NAACP itself, was to pursue “the world-old dream of human brotherhood” by bearing witness to “the danger of race prejudice” and reporting on “the great problem of inter-racial relations,” both at home and abroad. The magazine thus provided a much-needed corrective to the racial stereotypes and silences of the mainstream press—publishing, each month, uplifting accounts of achievements by African Americans, alongside stark accounts of racial discrimination and gruesome reports of lynchings. In the twelve years that will be covered by the MJP edition (from 1910 to 1922), The Crisis also addressed most every facet of life for blacks in America, devoting special issues to such topics as women’s suffrage, education, children, labor, homes, vacations, and the war. From the start, the magazine actively promoted the arts as well, and is deservedly recognized as an important crucible for the Harlem Renaissance. Among the notable authors who published in The Crisis during the MJP years is Jessie Fauset—who began contributing in 1912 and became the magazine’s literary editor in 1919—as well as William Stanley Braithwaite, Charles Chesnutt, Countee Cullen, Alice Dunbar-Nelson, Angelina W. Grimke, Langston Hughes, Georgia Douglas Johnson, James Weldon Johnson, Alain Locke, Arthur Schomburg, Jean Toomer, and Walter White.
(Source: educationforliberation)
Eazy-E and Dr. Dre make their debut in Ed Piskor’s latest Hip Hop Family Tree (via Boing Boing)
(via fantagraphics)
Here’s the abandoned original opening to my story Hawaii 1997. The first draft had this wordy first-person narration and the pencils were less confident; also it seems to be set in 1998 (?). I eventually drew a new intro that suited the tone of the rest of the comic. Still fond of that first page.
(Source: gingerlandcomics)
Why isn't New Orleans Mother's Day parade shooting a 'national tragedy'?
David Dennis: The media seems to forget about New Orleans and any place that the middle class can’t easily relate togood point. i really dislike how the news is filtered and sensationalized for ratings. it’s like you have to go out of your way to get the real news.
(via afrofuturistaffair)
Romare Bearden. Roots Odyssey.
Screen print, 1976. 28 3/4 x 22 7/8.
Ben and Beatrice Goldstein Foundation Collection,
Prints and Photographs Division.
Reproduction Number: LC-USZC4-6169.(1-10)
© Romare Bearden Foundation / Licensed by VAGA, New York, NY.
(via rbb85)
“Voodoo queen Lala and her husband Louie in New Orleans Louisiana in the 1930s,” photographer and exact date unknown
Robert Tallant wrote in 1946,
If there is a living successor to [Marie Laveau’s] Voodoo throne it is probably Lala…“I’ve had plenty trouble,” Lala admitted. “I been pulled in lots of times, but they can’t do me nothin’. One time I told a judge to give me his ring and I’d make it walk. When he seen his ring walkin’ away he said, ‘You is sure a smart woman.’ Then he let me go. You see, I been studyin’ all my life…”
(via educationforliberation)
culture/literature : saki mafundikwa
work : african writing and it`s sybmolic nature
Already posted, this def deserves another posting to make a stronger point. More proof of what is not taught. We have symbols in our dreadlocks!!!
Image: An early version of Shü-mom script, created by King Njoya of the Bamum Kingdom to preserve the culture of his people during Cameroon’s colonisation in the late 19th century.
(via afrofuturistaffair)
absolutely exquisite photographs of james baldwin in turkey taken from yes magazine’s spread. inspiring, indeed. what spirited and brilliant soul wants to be my travel buddy and muse? let’s live.
(via allthingsjamesbaldwin)

